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ECHOESเสียงสะท้อนแห่งสังการ

A Thailand–Japan sustainability art exhibition. Eight artists from two countries take what their cities discarded — plastic packaging, marine debris, milk cartons, construction rubble, leftover clay — and give it a second voice.

The material 〈 素材 〉

This is what the exhibition is made of

Marine debris photo
Marine debris. Rope, net and microplastic washed up on the shoreline.

The sea returns what we lend it.

Timber waste photo
Wood and rubble. Offcuts, pallets and construction waste from the city.

A city takes itself apart daily.

Packaging waste photo
Packaging. Bags, wrappers and film that lasted longer than their purpose.

Bright, and in no hurry to leave.

Materials that have fulfilled their original purpose return to society as new stories — echoing once again.

Nothing here was thrown away. It was only waiting.
Two words, one idea 〈 二つの言葉 〉

Both our countries already had a word for this

Mottainai

Japan · もったいない

A deep respect for the value held inside a thing, and a reluctance to let that value go to waste — the feeling that an object still has life left in it.

Sufficiency Economy

Thailand · เศรษฐกิจพอเพียง

The philosophy of the late King Bhumibol Adulyadej (Rama IX): moderation, reasonableness, and finding what you need in what is already at hand.

EChOes of Waste stands on both. In 2026 — the year before Japan and Thailand mark 140 years of diplomatic relations — it turns a shared problem into a shared language, and asks what a discarded thing can still say.

Exhibition space photo
The space 〈 会場構成 〉

Zoned by what it used to be

Wood, metal, plastic and more: the floor is divided by material rather than by artist, so you walk through the waste stream itself. A Waste Heat Map visualises where it all comes from, and a Their Stories panel wall carries each maker's reason for making.

Images for illustrative purposes.

Programme

Works by four Japanese and four Thai artists, built entirely from waste materials and set in an immersive, material-zoned world.

October 2026

S M T W T F S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

The exhibition runs Thursday 1 October to Thursday 15 October 2026, open every day. The opening ceremony is on the first afternoon, from 15:00.

1 October — opening ceremony, from 15:00

Exhibition open, 10:00 – 20:00

Closed

Eight makers 〈 八人の作家 〉

The artists, 

Thailand

SNACKBAGBOY

Plastic packaging waste

Pratchaya Charernsook

Marine debris and microplastics

Teetuch Hongkongkla

Discarded plastic bags

Prach Pimarnman

Construction waste, and the environment of his hometown

Japan

Milk Packco

Milk cartons, made to feel anything but discarded

Yoko Ichikawa

Memory, culture, and each land’s relationship with nature

Minami Shibata

Ocean waste, turned into characters

Masaki Tomabechi

Leftover clay and glaze from tableware and tea utensils

“Materials that have fulfilled their original purpose return to society as new stories — echoing once again.”
— The premise of EChOes of Waste
Opening ceremony 〈 開会式 〉

Thu 01Oct 26

15:00 – 17:00

Guests, artists and organisers open the exhibition together, with remarks from Ambassador Otaka of the Embassy of Japan in Thailand.

15:00 – 15:05

Opening remarks by the organiser, Chutoku Holdings Co., Ltd.

15:05 – 15:20

Guest speeches, including Ambassador Otaka and Mr. Okumori, President of Siam Takashimaya

15:20 – 15:35

Project introduction: background, vision, and the road to the 140th Anniversary

15:35 – 16:00

Artist presentations: eight artists on their materials and their messages

16:00 – 17:00

Networking reception and guided viewing

Host opening the reception beside the exhibition signage
Opening remarks
Guests gathered in the gallery during the reception
Reception, gallery floor

Massage from Organizer 〈 主催者より 〉

We began with a simple question: if a thing has finished the job it was made for, is it really finished? Two weeks in Bangkok is our answer — eight artists, two countries, one pile of material that nobody wanted.

We hope you leave with something small and stubborn: the habit of looking twice.

Ryutaro Yoshimoto

Chutoku Holdings Co., Ltd. — organiser

Ryutaro Yoshimoto speaking at a podium

Come and look again

Free entry, every day of the exhibition. Workshop and talk times are announced on our channels as soon as they are fixed — share the event, or write to us below.

ICONSIAM, 299 Charoen Nakhon Rd, Khlong San, Bangkok 10600 — open in Maps

Dates

1 – 15 October 2026

Venue

SIAM Takashimaya, 4F Event Space, Bangkok

Admission

Free of charge

Behind the exhibition 〈 芥 / akuta 〉

About

ACTA+

ACTA comes from 芥 (akuta), an old Japanese word for refuse. ACTA+ works with artists in Japan and abroad, starting from things that would otherwise be thrown away, to create a cultural mutualism between people and nature through art — and by exhibiting and circulating that art, to give waste a value it did not have before.

Part of every sale returns to the artists and to work that grows sustainable culture. ACTA+ is the operating partner bringing EChOes of Waste to Bangkok.

ACTA+ ART AWARD 2024 — the final judging and award ceremony in Tokyo
An ACTA+ tag on a work made from discarded material

Art, circulated

Works are shown and sold rather than filed away, so discarded material re-enters the economy carrying a price and a story.

Space production

Exhibitions and installations built for hotels, retailers and public spaces — including the material zoning you will walk through here.

Artist collaboration

A roster of makers across Japan and, for this exhibition, Thailand — each committed to one material stream and its afterlife.

Organiser

Chutoku Holdings Co., Ltd. (Yamaguchi, Japan)

Operating partners

ACTA PLUS Co., Ltd. · White Canvas (Thailand)

Supported by

Bangkok Metropolitan Administration · Embassy of Japan in Thailand · Consulate-General of Thailand in Fukuoka · JETRO Bangkok · Japanese Association in Thailand

Contact

Ryutaro Yoshimoto
r-yoshimoto@chutoku-g.co.jp
+81-834-25-0606